Comparison of Chinese and Western traditional dress patterns

 First, the shape of the garment pattern characteristic of Western

born out of the Oriental art of traditional painting style of dress patterns, no doubt by the painting style of the line. Conceived in traditional Oriental decorative arts of painting, does not love the imitation of nature, but through various means, such as deformation of color, get rid of color relations, relations perspective, the use of such cavalier perspective, summarized by means of macro to micro in the form of strengthened, so that decorative patterns become full, rich, perfect. At this point, simple, broad lines is a crucial step to achieve that effect, the color is in accordance with the relationship between the shape of the structure configuration. As the relationship between line and color, like the human body, the line is the skeleton, muscle and color. Therefore, regardless of which dynasty clothing patterns, we can realize the line is its soul. For example, clouds Mawangdui One tomb unearthed pattern, its lines are so filled flow, free-spirited, colorful, clear and heavy, showing the magnificent endless sense of movement and rotation.

patterns of Western dress is an imitation of nature, so their focus on the artistic effect of its degree of realism. Images of light and shade, color, size, space and the structural relationship between images and other factors have been shown accurately, so as to achieve the three-dimensional, lifelike realism effect. This line can not just rely on reflected only through the accurate shape and color space perspective combined to form a whole face can. Back in the early Western Ke Pute on the use of color reproduction of images on the clothing patterns. Before and after the 5th century, the green, sea blue and so on. As the bright red fruit in the blank, with the three-dimensional sense of immediate and strong appeal, indicating that people have realized through the color order to realistically re-emerged as the natural images.

now hidden in Victorian England? Andrew? Albert Museum in flower color bars pattern prints, every flower, every leaf colors are significant differences. Although the natural flower color is red,bailey UGG boots, but here,UGG bailey button, every petal of red is different, showing side by reddish light, even white, one color of the backlight brightness decreases, the purity increased, accurate three-dimensional representation of the affected by the light rose color changes.

Second, in the spirit of Western patterns of traditional costumes and traditional oriental material

garment pattern is performance, performance is not imitating nature,cheap UGG boots, but the designers and images of under the Creative experience, with the external form of art to express their emotions. This pattern became emotional sustenance media creators, so the traditional oriental dress patterns in subject, style, colors and other aspects of differences with the West. Patterns of traditional Chinese clothing such as often occur in the Characteristics of their own plants was in line with the spirit of some kind of personality, such as bamboo King Day, May the innocent, noble orchid, chrysanthemum her side, which directly advocate the common Chinese people celebrate the spirit of personality. Sometimes the spirit of individual personality Zeyi artist Xing ignited by the bird, not only purify themselves, and educate others. Similar to the In addition, the performance of Chinese clothing patterns in birds abound, from the common sparrows, swallows, to the rare golden pheasant, parrots, peacocks, etc. are described, and even concoct a variety of phoenix bird shape. Can be said that birds are the Chinese clothing patterns in one of the most distinctive themes. The reason is, first, the birds pose tactfully, feathers brighter; second, suddenly flew over the light and the pursuit of Chinese art coincide ethereal aesthetic orientation; Moreover, the birds flying in the minds of most people the sky is a symbol of nature . From this, patterns of traditional Chinese clothing with emphasis on various themes to express the personality Xing ignited the spirit.

Western patterns of the requirements of traditional costumes, often emphasis on the material. Patterns for decorative purposes, the nature of any aesthetic taste of Western images of traditional dress patterns can be used as a template, and evaluation of the standard pattern is that it's realistic level. In addition, many of the Western tradition are well-known designer fabric artist, no doubt, they will naturally be injected into the painting style fabric pattern design them to go. This is also the tendency of Western patterns of substance rather than the traditional costumes spirit, tend to reproduce rather than the performance of an important reason. For example, during the famous Rococo graphic design master Jebel? Germany? Libeierdi, Jan? Luo Feier, Buster Benton? Youai and so came from the artist, in which Yang? Luo Feier (16,841,751) for the purpose realistic three-dimensional fabric pattern can be reproduced, also invented a Such flexible weave, like a free embroidery needle as deep color, light, strong, light changes, light and dark approach to integration of infiltration of the halo pattern, like a painter pen gently swept away, there effect of the different shades of strokes. The perfect blooming effect, so that flowers naturally vivid, real and vivid, can be said of painting on silk.

whether in shape, or in surface modeling; also tend to show whether or biased representation, this shows that the East-West difference between traditional dress patterns, dress patterns that traditional Western emphasis on material , Oriental traditional clothing patterns emphasis on spirituality, this is the essential difference between the two.

Third, the essential difference between traditional Western dress patterns the main source of

from ancient Greece, the Western art was to mimic the natural shape for the purpose of imitation has long been popular in ancient Greece, the Plato and Aristotle advocated a threat to the 18th century. Ancient Greek mythology, God regardless, God created human-Fan,Discount UGG boots, imitating art is imitation of nature themselves, which is reproduced, the emphasis on the artistic production of material to provide the conditions. This dress patterns derived from the painting, combined with the human body will be implemented in the spirit of the particular form of art is bound to dress also affected. Later, as people on the natural science and reason, experience, research, pushed artistic imitation of nature, no longer hide the truth of art than as a

formed a different view of nature that exists between Chinese and Western artistic expression of different programs, decoration and natural view of the special relationship formed, apparently based on visual perception of human art activities and describe the methods and means generated. China Qin Dynasty to the world the very essence of that material is The first Western philosopher to shift water as the very essence of their understanding of the development of future generations to establish the objective of a de facto requirement. In the West to Water, the sea also, as the nature of the tactile features of the development of knowledge will largely be limited to material of a scientific and objective evidence of thinking within the track. This visual nature of the distinction between different problems.

indulge in traditional oriental dress patterns spirituality, Confucianism, Taoism and, later, the spirit of Buddhism is the main source.

in China, the Confucian system of aesthetic significance and social and political life and ethics are closely related. Confucian view that art should meet the We can see from the dress patterns: the original natural and realistic during the various fanciful patterns change once the deformation of the dragon and phoenix patterns replaced animals. Because class formation and the emergence of countries, barbaric and cruel, sacrificial killing and replaced the original community pleasant and romantic. The establishment of hierarchy, the formation of powerful nobles and religious atmosphere and intensity, constitute some kind of unreal people outside the cult of the mysterious power and majesty of a power or the will of the extreme fear. This

Taoism, Chuang Tzu's philosophy in particular, is a spiritual surreal world. He served against the man-made objects, physical and mental requirements of the absolute freedom of personality. Lao Zi Kuang place close to nature's charm feelings and aesthetic taste for China had a tremendous impact. One is among the self into nature, and the other is to naturally absorbed into the ego, no matter what type, are the integration of man and nature, that person's naturalization and nature of the unity of the people, This is what we call Chinese artists and the rapt attention with a study and understanding of the way to learn art, they first looked natural beauty to travel and experience the landscape between the atmosphere, and then through their own understanding, the use of scatter perspective, eliminating the physical constraints of the natural light color, through the concise lines, deformation of color, from an objective to capture and found natural objects into the object's Eastern clothing patterns for the performance of these ideas had a considerable impact.

traditional Chinese decorative arts of the impact of Zen Buddhism as well. Zen's main point is: 1. led by external things, , not to donate property, just by his Gnosticism, some instant insight, we will achieve Buddhahood position. This interpretation and artistic thinking, aesthetic sensibility in the perception of the common intuition is realized: a flash see through the ages, the average in the fantasy, there Miaodi nature, with deep interest in the simple.

Zen elements of this simple and advocated that color. They emphasized the subjective spiritual feeling for the style guide. In other words, the painter being the first object extracted from an objective and natural objects found in the Then follow

In summary, the Western traditional clothing also has certain mental patterns, but this spirit of, often obscure material, such as without interpretation, is not easy to understand. Patterns of traditional Chinese clothing is fully reflected,